How Photographer Elizaveta Porodina Sees the World
GQ: Why did you decide to publish a book? Elizaveta Porodina: What it really is for me, and I’m realizing it now, is that this was the end of a phase as a creative, and I cannot really put in words what I mean by that. Or maybe it is not just the end but also the beginning of something bigger, something more expansive. When I started putting the book in place, I definitely wasn’t viewing myself at the end of anything at all. But now it has happened, and I feel like it really was sort of the last line of a phase of seeing myself as this one thing—let’s say, as mostly a photographer. Because during the phase of working on all these editorials, commissions, personal projects, there has been a huge throughline of writing narratives. Right. Your work is clearly a kind of storytelling. Storytelling, yes. And all of my stories in the last couple of months, years, maybe even longer were built upon a skeleton of a very specific narrative, and …







