Francis Ford Coppola Picks His Favorite Criterion Movies & Gives Advice to Filmmakers
Upon stepping into the hallowed Criterion Closet, stocked with hundreds of that cinephile video label’s finest releases, Francis Ford Coppola speaks of a director who “believed in a film he wanted to make, and used his entire fortune, because the financing system of the time wouldn’t finance it. And it came out and it was a big flop, and he died sort of penniless, not realizing that this film he put everything up for” would “be considered today the masterpiece that we consider it.” The auteur in question is Jacques Tati, and the film is Playtime, though one imagines that Coppola’s own recent experience with Megalopolis wasn’t so very far from his mind. “I think he’s the only filmmaker, other than present company, who took a big hunk of what wealth he had earned in his life and put it up to make a film that nobody else would make,” Coppola continues. But when you do that, “usually it withstands the test of time.” His long career has afforded him many a lesson in the unexpected turns a …