All posts tagged: Oscars

U.K.’s Best International Feature Entry

U.K.’s Best International Feature Entry

The U.K. has selected Pegah Ahangarani’s Rehearsals for a Revolution, which won the L’Oeil d’Or for best documentary at this year’s Cannes Film Festival, as its entry in the best international feature film category at the 2027 Oscars. The film traces more than 40 years of Iran’s history through Ahangarani’s personal experiences of exile and the stories of her relatives and mentors. Drawing on personal archives, home videos, footage of street protests, newspapers and recorded voices, the filmmaker pieces together a portrait of a country shaped by political repression and a continuing hope for revolution. Ahangarani, 42, wrote, researched, and edited the film in the U.K. over more than two and a half years, working with a team of British collaborators. The film made its world premiere in the special screenings section at Cannes earlier this year, then screened at the Telluride Film Festival and the Toronto International Film Festival. Rehearsals for a Revolution was released in the U.K. in September. Sony Pictures Classics will hold Oscar-qualifying runs in New York and Los Angeles in …

Digger Star Tom Cruise’s Tricky Oscar Campaign

Digger Star Tom Cruise’s Tricky Oscar Campaign

That’s the tricky balance: You can’t want it too bad, but most actors also need to campaign. There are, of course, the outliers who refuse to play the game: Sean Penn showed up at the Globes, smoked a cigarette indoors, and then did no other awards press and still won the best-supporting-actor Oscar for One Battle. Frances McDormand, who rarely ever does awards events, has won three acting Oscars. But for most actors, especially newer talent, it’s important to get in front of voters at screenings and receptions. “Some people might say receptions and luncheons can be a little try-hard, but they’re small spaces, they’re controlled, they’re person to person, and it’s unique and it’s sort of that discovery element to that,” says the publicist. When it comes to an acting nomination, which is voted on by only the actors branch, every vote really does count. “You don’t think those old-school things matter because you’re sitting there in a room with 117 people, but they’re showing up,” says the studio publicist. “There’s the consistency.” It …

Anthony Chen’s We Are All Strangers selected as Singapore’s Oscars entry for 2027

Anthony Chen’s We Are All Strangers selected as Singapore’s Oscars entry for 2027

Award-winning Singaporean director Anthony Chen’s latest film We Are All Strangers has been selected as Singapore’s official submission in the Best International Feature Film category at the 99th Academy Awards in 2027. The selection was made by a committee comprising eligible members of the Singapore Film Commission Advisory Committee. Written and directed by Chen, We Are All Strangers is set in contemporary Singapore and centres on family relationships and unexpected changes in life. Starring Yeo Yann Yann and Koh Jia Ler, the film follows 21-year-old Junyang and his widowed father as they navigate work, family responsibilities and unexpected changes after Junyang’s girlfriend becomes pregnant and his father begins a new relationship. We Are All Strangers has already had a notable festival run.  Earlier this year, it became the first Singaporean film to be selected for the main competition at the Berlin International Film Festival in the festival’s 76-year history, where it competed for the Golden Bear. It also opened the 50th Hong Kong International Film Festival. Yeo, who plays Bee Hwa in the film, was …

Australia Picks First Light as International Feature Contender

Australia Picks First Light as International Feature Contender

Australia has selected James J Robinson’s feature debut First Light as its official submission for the Best International Feature Film category at the 99th Academy Awards, The Hollywood Reporter has learned exclusively. The first-ever Filipino-Australian co-production, First Light is the first Tagalog-language film ever submitted by Australia for the Oscars. The drama follows an elderly nun (played by Brilliante Mendoza regular Ruby Ruiz), whose life has been shaped by discipline, service and belief, who, after a young construction worker dies under suspicious circumstances, gets drawn into a world of crime and corruption. Maricel Soriano, Rez Cortez and Kidlat Tahimik co-star. Explaining their decision, the Australian Oscar selection committee called First Light “a meditative work about an aging woman who questions her faith as her world begins to crumble around her, leaving an indelible mark.” Robinson’s feature, they said, was “an impressive debut that is a shining example of Australian filmmaking.” First Light was produced by Gabrielle Pearson of Majella Productions and Christelle Lou Dychangco and Jane Pe Aguirre of Clou Media Productions. The film was …

The Oscars is shaping up for a showdown

The Oscars is shaping up for a showdown

Awards season is around the corner, with opponents ready to duke it out in the ring of swanky luncheons and Hollywood hobnobbing. In this corner, the reigning heavyweight champ: a version of every Oscar-baiting, prestige movie you’ve ever seen. And in the other corner, the mighty underdogs: Nathan Fielder and some guy from YouTube. In the past, films that generate big online buzz haven’t always translated to Oscar contenders. The Academy still likes to maintain some distance between the cinema and the hot movie du jour. But this year, voters may find it difficult to ignore the massive awards campaign being mounted for “Obsession” — born from the world of online creators, pivoting to filmmaking — and the internet-breaking, feed-clogging brilliance of Fielder’s surprise Elizabeth Holmes documentary, “You Can See Everything.” Both of these films are wild cards in their own right. “Obsession” garnering a nomination for anything other than Inde Navarrette’s performance would be a stretch — even that is starting to push it, with the lead acting categories already filling up with potential …

Chris Rock gives blunt reflection on Oscars slap four years on: ‘I wish nothing would have happened’

Chris Rock gives blunt reflection on Oscars slap four years on: ‘I wish nothing would have happened’

Chris Rock has admitted he wished the situation surrounding the infamous Oscars slap hadn’t happened. Rock gave a blunt response when he was asked how he felt about the incident, in which Will Smith struck him on the face onstage at the 2022 awards ceremony. Rock told Variety: “Hey, man. You know, to answer your question a little bit, I wish nothing would have happened.” The comedian then shifted attention onto his upcoming directorial release, Misty Green, which stars Rosalind Eleazar as an actor trying to make a Hollywood comeback who, in the film, has a physical altercation with a co-star. “I don’t want to say anything that takes any attention away from Rosalind and how good she is in this movie,” said Rock. At the 2022 Oscars, Will Smith walked onstage and struck Chris Rock around the face after the comedian made a joke about his wife, Jada Pinkett Smith (AFP/Getty) He continued: “It’s a crazy world. We walk by homeless people. There’s all sorts of s*** going on right now. Me having a …

Romania Picks Cannes Winner Fjord as 2027 Oscar Contender

Romania Picks Cannes Winner Fjord as 2027 Oscar Contender

Romania has picked its Oscar contender, selecting Cristian Mungiu‘s Fjord starring Renate Reinsve and Sebastian Stan to be its official selection for the 99th Academy Awards in the Best International Feature race. In the drama about progressive politics, religious faith, and the limits of tolerance, Reinsve and Stan play two fundamentalist parents who relocate from Romania to a small Norwegian village, only to find themselves accused of child abuse, and forced to defend their beliefs, and strict parenting style, in court. The film is in Romanian and Norwegian with substantial portions in English. Reinsve, hot off her box office success with horror sensation Backrooms, starred in this year’s Best International Feature winner, Joachim Trier’s Norwegian melodrama Sentimental Value. Fjord premiered in Cannes, where it won the Palme d’Or for best film. Neon snatched up the film for domestic release ahead of the festival. Under new Academy rules, the Palme d’Or win meant Fjord received automatic entry qualification for the Best International Feature category, whether Romania chose to pick it or not. The film’s star power and its hot-button themes, as well …

Ireland Picks ‘Aontas’ as International Film Submission

Ireland Picks ‘Aontas’ as International Film Submission

Irish-language feature thriller Aontas is Ireland’s submission for the best international feature film category at the Oscars 2027. The Irish Film & Television Academy (IFTA) unveiled the selection for the 99th Academy Awards on Friday. “The film follows in the footsteps of Oscar-nominated An Cailín Ciúin (The Quiet Girl) (2023) and Oscar-shortlisted Kneecap (2024),” IFTA said. Directed by Damian McCann, Aontas is a heist thriller starring Carrie Crowley (The Quiet Girl/An Cailín Ciúin), Bríd Brennan, Eva-Jane Gaffney, Seán T. Ó Meallaigh, Marcus Lamb and Art Parkinson. Told in reverse chronology, the film follows three unlikely thieves, led by a woman on the verge of a breakdown, who rob a rural Irish Credit Union, opening with “the tragic aftermath of the heist-gone-wrong,” reads a synopsis. “What starts as a poorly executed robbery becomes a portrait of a wilful woman trapped in her own past.” “Aontas” means “union.” Written by Sarah Gordon and Damian McCann, the movie was produced by Órfhlaith Ní Chearnaigh and Christopher Myers for Púca Pictures, with funding from TG4, BBC Gaeilge and Northern …

Belgium Picks Lukas Dhont’s Coward as Int’l Feature contender

Belgium Picks Lukas Dhont’s Coward as Int’l Feature contender

Belgium has put its horse in the Oscar race, picking Lukas Dhont’s queer WWI drama Coward as its official selection for Best International Feature Film for the 99th Academy Awards. The film, set in the Belgian trenches of the First World War, follows the love between two young soldiers who try, through art and intimacy, to escape the horrors around them. Pierre (Emmanuel Macchia) is a young Belgian soldier struggling to go on, who finds hope, and eventually romance, with the flamboyant Francis (Valentin Campagne), who entertains the troops with his gender-bending theatrical performances and impromptu song and dance numbers. Coward premiered in competition in Cannes, where it won best acting honors for Macchia and Campagne. Dhont’s 2022 feature Close was Oscar-nominated in the best international feature category. His new feature reunites the Belgian director with collaborators from Close and his 2018 debut Girl, including Close co-writer Angelo Tijssens, and his producer brother Michiel Dhont. Mubi picked up Coward for North America as well as multiple international territories, including the U.K., Germany, Italy and Australia/New …

The Possible Oscar Contenders From the Venice and Toronto Film Festival Lineups

The Possible Oscar Contenders From the Venice and Toronto Film Festival Lineups

It’s been six years since a movie that debuted at a fall film festival won the best-picture Oscar. Instead, the past few seasons have seen big studio movies like One Battle After Another or Oppenheimer make it to the Oscar stage without visiting any of the major festivals, while the movies that have emerged from the festival circuit have come from events earlier in the year—like Anora’s trip to Cannes or Everything Everywhere All at Once’s SXSW debut. For a long time, it’s been a firmly held industry belief that releasing your film too early in the year means mounting an Oscar campaign that will be too long, too arduous, and too expensive to pay off. Now that that theory has been dispelled, do fall festivals still hold the same weight in awards season that they used to? Rosalind Eleazar in Misty Green. Merrick Morton/A24 In short: yes. This week on Little Gold Men, the team makes the case for why fall film festivals still matter, especially for smaller movies that need strong word of …