Tag: Instagram

  • Sophia Smith Galer launches AI social video app to help journalists

    Sophia Smith Galer launches AI social video app to help journalists

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    Former British Journalism Award innovation winner Sophia Smith Galer has launched an AI app aiming to help journalists get more traction with their videos on social media.

    Freelance journalist and digital consultant Smith Galer, who previously worked for BBC News and Vice and was one of the first UK journalists to make waves on Tiktok, has created Sophiana to, she says, halve the time it takes to create “algorithm-ready” videos.

    Sophiana allows journalists and other content creators to plug in their articles, research or notes so the app can suggest several potential hooks and then a script that it thinks will be amplified by the algorithms and engage audiences on platforms including Tiktok, Instagram Reels, Youtube Shorts and Linkedin.

    Sophiana then has a teleprompter function to help people film their videos.

    Smith Galer told Press Gazette she is picturing two main groups of users for the app. “I know its use case within journalism is huge – journalists really need a tool like this, and obviously it’s where I came from so I would love it for journalists who want to amplify their work on Tiktok and Instagram but have struggled so far.

    “I hope that this is the headstart and the skills acquisition they’ve been waiting for that they’ve probably not been given by their newsroom, or maybe they’re freelance.

    “But beyond journalists, I’ve spent a lot of time consulting lots of people who aren’t journalists, but who have factual information that they want to share, high-quality storytelling that they want to do on platforms. It’s anyone with expertise really, which is obviously a huge possible customer base.”

    ‘It’s time for journalists’ Instagram and Tiktok followings to flourish’

    Smith Galer noted that the latest Reuters Institute Digital News Report published last week revealed the proportion consuming social video for news has risen across 48 international markets from 52% in 2020 to 65% this year. The report noted that publishers have “struggled to adapt journalistic content in a more informal space”.

    Smith Galer said: “What I’ve always observed is, yes, there are news publishers – many and most in fact now – who create some kind of video products for Tiktok and Instagram, but they’re not necessarily countering or actually meeting audience needs, which we know crave influencers, personalities, and you can’t do that when you’re a brand publishing content.

    “The only people who can make content that meets those needs are individuals, which is exactly why Twitter followings of journalists flourished once upon a time, and I believe it’s now time for journalists’ Instagram and Tiktok followings to also flourish. It’s just that this shift from text to visual storytelling can be hard for a lot of people.”

    She added: “The rise of social videos as a news source is not going to stop. It’s just going to get bigger and bigger, and at the same time online influencers are essentially dominating this storytelling digital space where we should be dominating.

    “I don’t think anyone is better at digital storytelling and preserving ethics while we do so than journalists are in theory, so this is not digital territory we should ever have ceded.”

    She said she surveyed more than 100 journalists she was training about two years ago asking them why they don’t currently make Tiktok videos. “It’s not because they don’t want to, it’s because they either feel like they don’t have the time or they don’t have the skills, and that’s where I feel like AI assistance and a tool can really deal with that because it will slice production time.”

    The current version of the app, which has been made through Smith Galer’s digital consultancy Viralect, uses ChatGPT-4o and a core prompt she formulated based on her knowledge creating popular videos. A later version will have her own previous video scripts plugged in to improve the output further.

    Sophiana screen with three suggested hooks
    Sophiana screen with three suggested hooks

    Smith Galer won the Innovation of the Year prize at the British Journalism Awards 2021 for her pioneering work on Tikotk, which the judges described as “consistently engaging and witty whilst always rigorously fact-based and fresh. Their range, reach and impact have been thoroughly impressive.”

    The two priorities for the next phase of development are: launching on Android as it is currently only available on the Apple App Store, and adding non-English languages with Smith Galer targeting Spanish, Arabic and French first.

    “So much of my journalism and what people know me for is my love of languages. And obviously I don’t only want this to be a tool that serves English speakers, but it costs money in development time to add new language versions… and I’m missing out a huge market worldwide if I don’t go on Android.”

    The app is free to download and try out and then costs £5.99 for a month, £29.99 for six months or £49.99 for a year.

    Smith Galer is also inviting newsrooms and other companies to get in touch if they want an in-house Sophiana that could have additional functions such as adding watermarks to videos or incorporating their style guide.

    Smith Galer injected some of her own cash but also received two sources of funding last year.

    She won the Georgina Henry Award for Digital Innovation run by Women in Journalism, receiving £4,000 in prize money. It was praised because “not only does it explore the commercial benefits of AI – this eponymous innovation is also dedicated to combating disinformation”.

    She also took part in a “design sprint” to develop the product with the International Centre for Journalists, securing $15,000 (£11,200) after pitching for funding at the end of it.

    In recognition of the Women in Journalism support, Smith Galer is offering free Sophiana access for six months to ten female journalists in the UK who want to tackle misinformation on video, along with other training and resources from her.

    Email [email protected] to point out mistakes, provide story tips or send in a letter for publication on our “Letters Page” blog

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  • Social Media Replaced Zines. Now Zines Are Taking the Power Back

    Social Media Replaced Zines. Now Zines Are Taking the Power Back

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    But within a decade of Spooner’s discovery, the internet reached the mainstream, and zines were drowned out by digital culture. Diehards kept making paper handouts, but most people with ideas or messages to share went on social media. The prospect of a digital public square where anyone could broadcast their thoughts to the world was new and exciting. Since then, however, Americans’ perceptions of social media have darkened.

    Zines, meanwhile, are seeing a resurgence, popping up in museum collections and, in at least one instance, online comics. They are taking on new forms, modified by a generation seeking to make something that won’t go the way of Tumblr.

    “By producing physical, tangible objects that don’t exist on the internet, you can circumvent or avoid feeding into that machine,” says Kyle Myles, a photographer who sells zines out of his Baltimore shop. “I think a lot of people worry that when they share things on, say, Instagram, suddenly it’s the property of Mark Zuckerberg or Meta.”

    Last year at the Black Zine Fair, Jennifer White-Johnson, a designer known for creating the Black Disabled Lives Matter symbol, presented a zine-making workshop; for this year’s event, held in May, they distributed copies of “A Black Neurodivergent Artist’s Manifesto.” (It sold out.) Several years ago, after their son was diagnosed with autism, White-Johnson created an advocacy photo zine called “KnoxRoxs.” They’ve often organized gatherings to create zines with other caregivers for autistic kids. Making zines, White-Johnson says, provides “a powerful act of collective liberation and a radical practice of self and community care.”

    White-Johnson’s zine was one of many at this year’s fair focused on solidarity and social justice. Several were historical, like Kaba’s “Arrested at the Library: Policing the Stacks” about the history of law enforcement’s presence in libraries. Some zines were structured like newspapers; some took the form of grade school art. Others channeled the format’s earlier punk aesthetics.

    Many zines bridged the gap between analog and digital. An independent publisher called Haters Cafe presented “10 Anarchist Theses on Palestine Solidarity in the United States,” one of several works also hosted on the publisher’s website. One of its creators, who asked not to be identified, tells WIRED that while the internet has allowed Haters’ zines to spread far, their somewhat untraceable physical forms appeal to people who are concerned about repression. “In certain spaces, I cover my face; I wear a mask,” they say. Anonymous zines serve a similar function. “We’re trying to broaden cultural distaste for surveillance.”

    Which is to say, modern zine makers aren’t anti-technology. They’re opposed to what often comes with its use. If anything, they’re incorporating analog creations into digital ones, like people who post about woodworking or knitting on Reddit.

    Zines are taking hold in fields outside politics and culture, too. Like science. During the 2024 meeting in Mexico of the Society for Molecular Biology and Evolution, a respected computational biologist named Pleuni Pennings did away with handing out a sedate paper containing her research and instead distributed a stylized zine, illustrated with hand-drawn diagrams and figures, to accompany her presentation on antimicrobial resistance.

    Pennings says she hoped audience members would be inspired to show the zine to other people, like their colleagues, and spread her work that way. “I mean, that’s what we all want when we give a talk, right?”

    Communication constantly evolves, along with the way people want to receive information. As social media replaced zines, the messages traveled farther, but their permanence dissipated. Friendster fizzled. Tumblr will never be what it was. Posts on X or TikTok get drowned in the churn of what’s trending or what platform owners want to boost. Handmade zines can last much longer. “Writing things down on paper has value,” Spooner says. “It’s more permanent.”

    As fears of surveillance and authoritarianism grow, the zine community may provide a means to organize under the algorithmic radar, in a format less beholden to the whims of multibillion-dollar social media companies. A vision of the future copied from the past.

    Additional reporting by Angela Watercutter



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  • Instagram brings teleprompter and overlays to Edits app

    Instagram brings teleprompter and overlays to Edits app

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    Instagram’s Edits just got a few much-anticipated features with teleprompters, overlays, and more, the company announced this week on Instagram.

    “New on Edits,” the Creators’ Instagram account posted on Wednesday. “Update your Edits app today to find more insights, overlays and the much requested Teleprompter feature which allows you to read your script while filming and focus on capturing the perfect take. Swipe through to learn more — and comment below to let us know what features you’d like us to add next!”

    The most exciting update in the new package of features is probably the teleprompter feature, which makes content creation a whole lot easier. To try it out yourself, start recording a video by clicking the record button at the bottom of the screen in Edits. On the left, you’ll see five options: a music symbol, a little guy with a dotted box around them, a timer button, a zoom button, and, at the bottom of that list, a teleprompter button. Simply click the teleprompter, add your script, and change the text size and teleprompter speed with the slides at the bottom left of the script screen.

    Mashable Trend Report

    Meta launched Edits in late April. Much like TikTok’s CapCut, the app is intended to aid in creating Reels, but it’s also pretty clearly a CapCut competitor. The only problem is that CapCut is more established in the space and has a ton more features than Reels does, so the app is having to fight to keep up.

    Since Edits launched two months ago, it has added additional fonts, filters, and voice effects, more cropping tools, 35 transition effects, alignment guides and beat markers, tracking sensitivity, and more, as Social Media Today reported.



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  • Jerry Gogosian to Wind Down Popular Art World Instagram

    Jerry Gogosian to Wind Down Popular Art World Instagram

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    Jerry Gogosian, an Instagram account known for its acerbic commentary on all matters related to the art market, will be wound down by its creator, Hilde Lynn Helphenstein, who said on Tuesday that she had “grown out” of the project.

    “I have so loved and enjoyed being Jerry, but it is time to let it go,” Helphenstein wrote.

    She formed the account in 2018 and has since gone to amass 151,000 followers. In its seven-year run, Helphenstein has used the account to pithily opine on matters ranging from auction records to artist representation, mock dealer Larry Gagosian (the account’s namesake), and document her travails at art fairs across the globe.

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    A white woman with dark blonde hair wearing a black long-sleeve top, looks at the camera.

    Prior to starting the account, Helphenstein had run her own gallery in Los Angeles. “I contracted a disease that had me in bed for a year,” she told W of her decision to launch Jerry Gogosian. “I wasn’t even thinking about followers; I just thought it was inside-track jokes. Then, it went from 100 people—which is about what I thought I’d get—to 18,000 in four months.”

    She initially ran the account anonymously, leading Artnet News to write in 2019 that the person who ran “this crabby little account” had “become a little anxious,” moving her to lock the Instagram and make it private. By 2020, Helphenstein had made her account public again and revealed herself as its creator.

    Though many of the account’s posts were crass memes of blue-chip marketeers and collectors, some had consequences on the art world more broadly. In 2020, for example, Gagosian gallery dropped director Sam Orlofsky after Helphenstein urged people to come forward with sexual harassment allegations against him.

    Helphenstein became famous through the account and went on to curate a Sotheby’s sale in 2022. But occasionally, its posts also landed her in hot water. Last year, Helphenstein mocked the name of a Sotheby’s auctioneer, leading him to accuse her of xenophobia. She later apologized, admitting the joke was made “in poor taste.”

    It wasn’t immediately clear why Helphenstein was shuttering the account. She signed with the talent agency UTA in 2024. Also last year, she told the Wick that she was working on “too many projects and it has uncentered me,” but she did not detail what those projects were.

    “As for me, I have a wide open road and I’m working toward manifesting the next thing I will go onto to do,” she wrote on Instagram. “It may be in art. It may not be.”

    Correction, June 10, 2025: An earlier version of this article ran a photograph that incorrectly identified Hilde Lynn Helphenstein as its subject.



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  • Justin Bieber announces split from fashion brand in since-deleted Instagram post

    Justin Bieber announces split from fashion brand in since-deleted Instagram post

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    Justin Bieber has revealed he’s cutting ties with his fashion brand, Drew House.

    The 31-year-old singer shared the news in a since-deleted Instagram Story, initially posted Thursday. Bieber founded the company in 2018, alongside former stylist Ryan Good, and launched the business a year later.

    “I, Justin Bieber, am no longer involved in this brand,” he wrote on his Instagram Story, which has been re-shared on X/Twitter. “Drew House doesn’t represent me or family or life.”

    The “Peaches” singer — who welcomed his first child, Jack, with his wife Hailey Bieber in August — urged fans not to support Drew House. He also drew an X over the brand’s Instagram profile picture on his story.

    “If you’re rocking with me, the human Justin Bieber is, don’t waste your money on Drewhouse,” he concluded.

    The Independent has contacted a representative for Drew House for comment.

    Justin Bieber urges fans now to buy from his Drew House brand as he announces split from company
    Justin Bieber urges fans now to buy from his Drew House brand as he announces split from company (AFP via Getty Images)

    Bieber was last seen sporting products from Drew House in 2023 when he attended an event for his wife’s company, Rhode Beauty. For the occasion, he wore a grey hoodie with the “drew” logo, paired with baggy jeans, a brown jacket, and a pink beanie.

    That same year, he shared a birthday tribute to co-founder Good on Instagram. In the picture, Good was wearing a puffy yellow jacket and dark-washed jeans — which both had the “drew” logo on them.

    “Happy Birthday to my brother @ryangood24,” Bieber wrote in the caption of his post at the time. “Hard to believe that we just keep getting closer…LOVE YOU BRO.”

    Days before he announced his exit, the “Sorry” singer seemingly hinted that he wasn’t working with Drew House. In an animated video on his Instagram, he walked into a house filled with “drew” branded items. Bieber then took out a match and lit it, before dropping it on the floor of the house.

    He then walked away from the burning building, which seemingly symbolized his decision to leave the business. He approached an animation of his wife and shared a kiss with her before they walked forward with their son, who was in a stroller.

    The family of three then entered another building, and the video cut to the logo for what appeared to be his clothing brand, Skylrk.

    While Bieber has kept his business under wraps, he has revealed a few hints about Skylrk’s products. On Thursday, he shared a photo on Instagram of different colorful hoodies and jackets on a clothing rack. When posting the pictures on his Instagram Story, he tagged Skylrk.

    However, it’s unclear when the brand will drop, and Bieber hasn’t shared any specific details about what clothes Skylrk will sell.

    Last month, the singer also shared a message about working on his mental health. “I got anger issues too, but I wanna grow and not react so much smh,” he wrote in an Instagram post. The message was accompanied by a carousel of photos including a close-up of his face under a hood, a throwback photo from his childhood, and his son laying in front of a projector.

    The week before that, Bieber opened up about struggling with imposter syndrome and his intrusive thoughts about being a “fraud” throughout his career.

    “People told me my whole life, ‘Wow Justin u deserve that,’ and I personally have always felt unworthy,” he wrote.



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  • Facebook, Instagram Fact-Checking Has Ended: What That Means for You

    Facebook, Instagram Fact-Checking Has Ended: What That Means for You

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    The era of Facebook, Instagram and Threads using fact-checking to verify information on its platforms is over, as of Monday, April 7, according to Meta’s chief global affairs officer Joel Kaplan. He said in a post on X, “By Monday afternoon, our fact-checking program in the US will be officially over. That means no new fact checks and no fact checkers.”

    In early January, Meta CEO Mark Zuckerberg said the company was going to wind down its decade-old program using third-party fact-checkers approved by the International Fact-Checking Network, to verify Facebook and Instagram posts, including videos and images.

    Now Meta will be using Community Notes generated by the users themselves. “In place of fact checks, the first Community Notes will start appearing gradually across Facebook, Threads & Instagram, with no penalties attached,” Kaplan said in his post.

    Meta’s announcement in early January came weeks before the inauguration of President Donald Trump for a second term. It was part of a large shift among some of the top tech companies including Apple, Amazon and Google to more closely align with the new administration’s agenda. X owner Elon Musk replied to Kaplan’s post on X with, “Cool.”

    Effects of the change not yet known

    X launched Community Notes in 2021, but did not do away with fact checking in addition to them until after Musk’s 2022 purchase of the platform, formerly Twitter. 

    It’s unclear if they are any more or less effective than professional fact checking, but whatever method is used, they have both been up against an ever-increasing tidal wave of misinformation. Anjana Susarla, who specializes in topics including AI and social media at Michigan State University’s Broad College of Business, said the two biggest challenges for countering false information on these platforms are the volume of posts to be dealt with and whether users engage with the solutions.

    “It’s not that Community Notes are not helpful,” she said, “it’s that the scale and the volume that exists on these very large platforms, the volume of debunking… can you debunk things with the same speed (as fact checking)? Second, will engagement be lower if you have these Community Notes? How effective are they?”

    Susarla says that if readers don’t trust Community Notes or fact checking, they’re unlikely to engage with that information and there’s not enough data yet on which is more useful or preferable to users. 

    “Evidence is mixed,” she said, “we don’t have too many large-scale studies on that.” 

    One alternate to either of these approaches, she said, is something like what Wikipedia does: relying on crowdsourcing for information, but also including community editors in the mix to help verify information. It’s unclear, she said, whether that kind of approach would work on such huge platforms, and whether it would help build trust among users.

    Susarla noted that the timing of Meta shutting down fact checking was on the same day that financial markets were melting down over global tariff concerns. She said, “If you are going to Facebook to find out about the stock market, it’s not necessarily a great time.”



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  • ‘God-lover’ Kyle’s Instagram memes mix Catholic iconography and internet absurdism

    ‘God-lover’ Kyle’s Instagram memes mix Catholic iconography and internet absurdism

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    (RNS) — A meme, as Kyle Hide explains it, is like a gene for culture. A concept first coined by biologist Richard Dawkins, it’s a unit of meaning that evolves and spreads through imitation.

    “ A meme functions similarly to a virus,” said Hide, the 34-year-old administrator of the popular Instagram account I Need God in Every Moment of My Life, a self-described culturally non-practicing Catholic and lifelong internet obsessive. “That’s why we might call something online viral. You could think of memes as anything that culturally transmits itself and replicates through culture.”

    I Need God in Every Moment of My Life reads like a digital confessional booth filtered through Tumblr-core aesthetics, Catholic iconography and internet absurdism. Posts range from blurry screenshots of tweets about prayer and heartbreak to ironic riffs on spiritual longing. 

    For Hide, who is known online and on his podcast “I Need God Pod” as “God-lover Kyle,” memes are more than just content striving for virality; they are a form of meaning-making. Posting under the persona allows Hide, who lives in Brooklyn, New York, to maintain both intimacy and distance from followers, he said.

    He and three friends from different Christian backgrounds turned their God-focused group chat into the Instagram account in 2020.

    “We all loved God, and we were like, we need God,” Hide said. “Everything is too godless. We thought that God is coming back in a major way. Let’s just create a page and we’ll all post to it.”

    A variety of “I Need God in Every Moment of My Life” Instagram posts. (Screen grab)

    Hide, who now solely manages the account and interacts with its 138,000 followers, said of the page’s fallen collaborators, “I think they weren’t true posters maybe in their hearts as much as I am.”

    One image, which has 84,000 likes, shows an early-2000s-style 3D-rendered blonde woman wagging her finger while holding a large cigarette. The image’s original text, “DON’T EVEN THINK ABOUT IT GIRL,” is obscured and replaced by the phrase, “DESIRE IS THE ROOT OF ALL SUFFERING,” a nod to Buddhist philosophy on attachment and suffering. One video shows someone filming inside their home filled with an eerie, glowing mist. The overlaid text reads, “Did I burn chicken or summon the Holy Spirit?” At the end, a hand reaches out into the haze, as if trying to touch the divine smoke. 

    Hide collects, curates and re-posts thousands of images. The page presents like a collage of spiritual yearning where irony and sincerity blur, allowing followers to both laugh at and engage with spirituality without being told how to interpret it. Absurdity gives shape to something that feels like devotion, and the page attracts those with complicated relationships to faith.

    “It has attracted queer people for sure,” Hide said. “LGBT, gay people, people who were raised religious but felt ostracized or excluded from fully identifying with it.”



    Other fans, he said, include those with experience in 12-step recovery programs, where belief in a higher power is central. “You need to think that there is something above you that you have to submit to,” he said. “That kind of person definitely likes the page.”

    Kyle Hide in Brooklyn, New York, on Feb. 22, 2025. (Photo by Fiona Murphy)

    For those on the fringes of religion, Hide said he believes the page’s tone makes spirituality feel more accessible and not as rigid, including for the newly converted. He and his page’s fans are not particularly interested in orthodoxy. But, the page has a real impact on the lives of some followers, he noted. 

    One man, Hide said, reached out to him explaining he was a recovering alcoholic who recently converted to Catholicism. He said after years of following I Need God in Every Moment of My Life, he was “worn down to think religiously.”

    “It can be a gateway to accepting those things that are hard to accept,” Hide said, adding that for some, the page serves as a bridge between skepticism and faith. “If that (a conversion) happened, that’s enough to show me that there is something happening here. And what is happening you could call the Holy Spirit at work, you know what I mean?”

    Raised Catholic in northeast Pennsylvania by a quiet mother who urged him toward music lessons and summer camp, Hide said he struggled with social interactions but gravitated toward performance. A babysitter introduced him to AOL via dial-up internet, and it quickly became his refuge. AOL chatrooms and sites like Neopets, LiveJournal and Tumblr were transformative spaces for the young, queer and existentially curious boy.

    “ If you’re a shy person, then you gravitate towards online spaces,” Hide said. “You’re not physically present, so you can be whoever you want.”

    He describes his online self as both a shadow and an aspiration. “It’s me, but also who I want to be,” he said. 



    In high school, Hide was a practicing Catholic going to church weekly but maintained a broader curiosity. When he was 16 years old, he posted a MySpace bulletin titled “God?” asking, “Can you send me your opinion of him in a message, please?” 

    “I had existential questions from a super young age, and I think that naturally led to wondering about God, the mystery of life and why we’re here,” Hide said. “I’m a Leo, but my Leo placements are in my ninth house, which is the house of philosophy.” 

    Hide is no longer a regular churchgoer. “I’m not practicing, but I identify as Catholic,” he said. He prays sometimes and worries about his soul — not in a salvation sense, but in terms of quality.

    “Your soul, like your body, needs maintenance,” he said.

    Hide considers I Need God more than a brand or a business, but a spiritual routine. He has added a merchandise store, beginning with a simple sweatshirt that reads “God loves me and there’s nothing I can do about it,” which sold very well, he said. Soon after, he launched the podcast with the intention of expanding the project offline.

    “I Need God Pod” episode art with guest Dan Hentschel. (Courtesy image)

    His podcast has featured guests from diverse spiritual backgrounds, including Orthodox Catholic actress Dasha Nekrasova, Catholic school graduate and satirist Dan Hentschel, Muslim meme artist Djinn Kazama, a money witch, a Mormon atheist and more.

    “I’m more interested in what people believe than whether it’s correct,” he said. 

    Now, Hide is looking to organize in-person events, like rosary-making or candle workshops. He said he would like to belong to a parish, too, possibly participating in music ministry, but admits self-discipline hinders him. Wanting to create that in-person element for I Need God, he said, “I just feel like there’s only so much fulfillment I can get from posting.”

    Hide is also aware of Instagram’s fragility as algorithms shift, platforms disappear and styles change. Still, he remains devoted to the act of posting.

    “The screen is a mental space,” he said. “It becomes part of you. … The internet itself has a godly orientation or a godly presence in our lives. The power of it is so big and beyond us, that it sort of starts to function in a God-like way.”

    This article was produced as part of the RNS/Interfaith America Religion Journalism Fellowship.

    //www.instagram.com/embed.js

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  • Instagram Showing Users Grotesque Videos of Human-Animal Hybrids

    Instagram Showing Users Grotesque Videos of Human-Animal Hybrids

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    You may be pretty happy with the Instagram feed you’ve curated for yourself. But a recent episode on the app has served as a rude reminder to users that they aren’t in control of the mysterious algorithms they depend on for a quick screentime fix.

    Kelly Takasu, a 36-year-old mom in Los Angeles, is one of those users. After she looked up videos about breastfeeding, Instagram took that innocent query as license to show her the weirdest AI slop imaginable.

    “I noticed one day I had a Reels suggestion: an older woman who had a bunch of babies around her. I must have looked at it for too long,” she told the Washington Post.

    And then followed more abominations: an AI-generated video of an older woman breastfeeding baby human-panda hybrids, and the piece de resistance, a video of women giving birth to other animal-human chimeras.

    It was a pretty extreme departure from Takasu’s typical feed filled with parenting tips and cooking videos. At the very least, maybe she can take solace in the fact that she was far from alone.

    In late February, Meta apologized for an “error” that led to many Instagram feeds being flooded with extreme content and gore, including shootings, deadly accidents, and videos of real-life murders. Outraged users took to social media, saying they felt borderline traumatized by being forced to see the graphic content.

    Courtney, the parent of a 17-year-old boy in Virginia, recalled how it affected her son. 

    “He saw assassinations — almost like terrorism. He saw a woman give birth, he saw just dead bodies, that kind of stuff,” Courtney told WaPo. “I feel like it was an attack of some sort on their minds. They’re still very impressionable.”

    The intrusion underscores the blackbox nature of the algorithms controlling users’ feeds, and the never ending battle of policing extreme content on the internet. In Meta’s case, some graphic videos are flagged with a “Sensitive Content” screen, which blurs the footage and provides a warning before giving you an option to bypass it.

    Still, that means that a lot of shocking content is allowed to run rampant on Instagram, under this pretty thin form of moderation. It’s worth mentioning that Meta recently loosened its content moderation policies, in a move that was widely criticized as essentially allowing hate speech and misinformation to go unpunished on its apps. The company has insisted, however, that the wave of disturbing content was unrelated to these changes, 404 Media reported.

    Nonetheless, the shock-fest is also clear symptom of the deluge of AI slop inundating social media platforms with images that are uncanny, bizarre, or extracted from an alternate reality.

    Because of their provocative nature, the AI images garner tons of engagement with relatively little effort, and can be churned out at a rate that no human moderation efforts could ever have any hope of keeping up with.

    More on social media: Pinterest Changes User Terms So It Can Train AI on User Data and Photos, Regardless of When They Were Posted

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  • Sabrina Carpenter Responds To Brits Performance Controversy

    Sabrina Carpenter Responds To Brits Performance Controversy

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    She also performed at the event, opening the ceremony with a Rule Britannia/Espresso mash-up (it sounded a lot better than you might think).

    During the act, the singer suggestively crouched down to a backup dancer’s waist with her mic in her hand, while the dancer, dressed as a royal guard, looked at the camera and winked.

    That controversial moment from the famously flirty singer led to some furore online ― as an X user wrote, “she had two minutes and singlehandedly triggered boomers”.

    Another wrote: “Ofcom is gonna be getting lots of complaints tonight #BRITs2025.”

    One X post suggested she was “oversexualising herself”.

    Sabrina has since written an Instagram post about the performance, sharing six words in response to criticism and comments about Ofcom online.

    “I now know what watershed is!!!!” she joked in a caption above a picture of her red carpet outfit.

    The watershed refers to the time of day when TV programmes which might be unsuitable for children can be broadcast – in the UK, it’s 9pm.

    During her Global Success Award acceptance speech at the ceremony, the Espresso singer expressed her love for her British fans.

    “The first time I ever came to the UK was 10 years ago with my mum, and nobody knew who I was,” she said, adding that she’s grateful for all her current UK fans.

    “In a very primarily tea-drinking culture, you streamed the shit out of Espresso,” she added jokily, before signing off: “Cheerio!”

    Speaking of the watershed, Sabrina’s was far from the only controversial moment of the night.

    Comedian Danny Dyer was bleeped multiple times.

    Danny Dyer

    The Eastenders star introduced a video message from singer and winner of two Brit Awards, Chappell Roan, as the artist couldn’t attend the event in person.

    Speaking to The Mirror, a source claimed that Danny’s bleeped comment was about the singer’s absence.

    Reportedly, the Eastenders star said: “She couldn’t be f****d to be here.”



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  • The Who’s Who of MAGA Influencers You Should Know About by Now

    The Who’s Who of MAGA Influencers You Should Know About by Now

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    Over the weekend, I went to DC to meet with all of the right-wing influencers and content creators who made President Donald Trump’s 2024 win possible. They were everywhere.

    The 2024 election was the influencer election and inauguration was no different: There were dozens of pre- and post-inaugural parties and balls this weekend, as well as the big event itself. Theo Von sat in front of Jake and Logan Paul under the Capitol rotunda (well, until the podcaster’s chair collapsed). Ben Shapiro, Matt Walsh, and Brett Cooper walked the Turning Point USA red carpet and posed for selfies with fans. Jessic Reed Kraus, writer of the HouseInhabit newsletter, hung out with Robert F. Kennedy Jr. at the Make America Healthy Again ball Monday night.

    In August, I published a guide on the Republican and Democratic influencers shaping the 2024 election. The influencers and content creators still matter, and they will be communicating and guiding policy decisions for years to come.

    Welcome to Trump 2.0, where these creators have the ears not only of their audiences but of the president as well. Here are some of the ones to keep an eye on over the next four years.


    This is an edition of the WIRED Politics Lab newsletter. Read previous newsletters here.

    The Podcasters and Streamers

    The 2024 election was the breakout cycle for podcasters in politics. Most of the shows Trump went on catered to the manosphere, a loose network of creators who push misogynistic, racist, and pro-male ideology online. This includes people like Joe Rogan, Andrew Schulz, the Paul brothers, and Adin Ross, who shared their Trump interviews with millions and millions of their fans. There’s a second branch too, made up of creators who have branded themselves as the intellectual wing of the modern Republican party, like Ben Shapiro, Dave Rubin, and Lex Fridman. Fridman’s YouTube podcast reaches millions of viewers every week. Shapiro’s show is one of the most popular ones on Spotify.

    These podcasters have amplified Trump and his agenda with very little, if any, pushback. They will likely be key in rallying support for Trump administration decisions.

    I spoke briefly with Shapiro on Sunday night, asking what comes next for the GOP and podcasting. “The power continues to grow,” he said. “Legacy media’s completely blown itself out. We’re focused on expanding, not only our brand, but there’s so many other brands that need expansion, I think that it’s gonna be a very rich time for the podcast industry.”

    The Meme Pages

    DC Draino, the Typical Liberal, RagingAmericans, and Snowflaketears are some of the largest pro-MAGA meme pages on Instagram. Combined, these accounts have over 6 million followers. They act as conduit between GOP leadership priorities and platforms like X and Instagram.

    Think of their accounts as news aggregators for people who otherwise may not be consuming it.

    The Organizers

    While the Democrats worked with influencers over the last election cycle too, no PAC or campaign organized them as effectively and efficiently as the right. Because of Turning Point USA and its leader, Charlie Kirk, many of the GOP’s most popular creators see each other at least a few times a year at the organization’s summits and trainings. According to interviews with some of the right’s top organizers, that infrastructure is only going to grow over the next four years. The organizers themselves have also become influencers to watch.

    I wrote about an influencer party (and victory lap) hosted over Inauguration weekend that was put on by CJ Pearson and Raquel Debono. Pearson, a conservative creator with more than 500,000 X followers, cochairs the Republican National Committee’s youth advisory council. He’s played a key role in the party’s adoption of influencers and is planning additional trainings with organizations like the Heritage Foundation.

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