Why Luca Guadagnino’s ‘Artificial’ Works and Aaron Sorkin’s ‘The Social Reckoning’ Doesn’t
I enlisted Vanity Fair’s features editor and expert on all things Hollywood, Hillary Busis, for a dialogue about which tech CEO impersonations worked, scenes that felt like major scoops, and Aaron Sorkin’s inexplicable loathing of the journalism profession. JULIA: So off the bat, how would you rate Artificial vs. The Social Reckoning? HILLARY: Artificial is a “like.” The Social Reckoning…I forget, do Facebook posts have a thumbs-down option? JULIA: Yes, and it’s worth five times a “like,” a quarter as much as a repost, and a tenth as much as Aaron Sorkin patting himself on the back. Anyway, I agree completely. In a funny way, I think the elements that worked well for me in Artificial are the very same things that tanked TSR. Both felt pretty true to life. But in the case of a film about OpenAI, which remains such a black box to the public, that felt revelatory and shocking. In the case of a film about Meta, it was like, “Yes, and…?” HILLARY: The real problem, to me, is that both …








