Behind The Scenes of Wildwood at The Design Museum in London
Beyond the emotional acuity, much of the film’s ambitious methods can feel like an anachronism in 2026. “So much technical knowhow, dexterity, storytelling, design and vision are required to make a cinematic masterpiece,” Knight told the gallery attendees.“So much” is right: the film pulled together more than 1,000 creatives and artists who collectively created over 140,000 puppet masks, more than 130 sets, on a 100,000 foot stage in Portland, Oregon. “Everything is fundamentally hands on,” Knight went on. “There are 2,775 shots, which by my calculation means it’s over 173,000 frames.” In a world where AI and algorithms are trumpeting our extinction on a daily basis, Wildwood kicks the conversation in entirely the other direction. “We have these big action sequences. We have these big aerial fights. We’ve got chase scenes. But the hardest stuff to do are the shots where characters are hardly doing anything,” says Brad Schiff, LAIKA’s head of animation. “There’s a lot of emotional intelligence to stop-motion animators.” And a lot of patience. On average, a full-day of shooting results in …








