In a Peanuts strip from 1952, Charlie Brown stands before a rack of comic books with titles like GOUGE and STAB!, ready to revel in gore. In 1987 the artist Magdalena Suarez Frimkess appropriated this darkly funny scene for a wall ceramic created with her late husband, Michael Frimkess. The grid of four tiles features an illustration of a fanciful townhouse, along with drawings inspired by the comic book Archie’s Madhouse and antic cells from Donald Duck and The Katzenjammer Kids. In the top left corner stands Charlie Brown, arms extended, exclaiming, “What a beautiful gory layout!” The panel, which hints at the chaos lurking behind pleasant domestic façades, is currently on view in a small, potent exhibition of the ninety-six-year-old artist’s work at David Zwirner in Los Angeles. Organized by the ceramicist Shio Kusaka, it includes more than three dozen drawings and ceramic pieces dating back to 1970. Elegantly arranged on a long white plinth are Suarez Frimkess’s hand-formed cups, plates, teapots, and figurines, all proudly wearing their imperfections, as well as works she …