Review

Monsters of Ohio by John Scalzi

Monsters of Ohio by John Scalzi


The first character you meet is a rabbit, and the book talks to you as if you are it. You are hungry in a way food does not fix, you cross two roads and a bridge for a tomato, a man on a deck fetches a BB gun, and a dog comes for you. Cornered in a bush, terrified, you simply stop being afraid. Something happens. The dog runs home and hides in the bathtub for a year. Monsters of Ohio by John Scalzi opens with that small, sweary, oddly tender scene, and it sets the rules for everything after: fear comes out, something else goes in, and the thing that frightens everyone turns out to be fine.

Monsters of Ohio Plot Summary

Mike Boyd is thirty-eight, recently pushed out of a federal job writing press releases, and back in Richland, a village of 2,800 in Darke County, sleeping in his old bedroom under a kitten-covered sign his stepmother put up. The town’s meat-processing plant, owned for a year by a New York investment firm, is expected to close. The mayor has rebranded the dull soybean festival as a monster-themed party. Then a farm boy’s prize cow bursts all over a barn, missing-pet posters spread along the main street, and Mike’s friend Dave, now the village’s only police officer, starts seeing things in soybean fields. Mike, Dave and Andi Sunders, the out-of-town PR consultant running the festival, try to work out what is happening before the plant meeting.

How It Works

Monsters of Ohio by John Scalzi is built like a town noticeboard. Mike, Dave and Andi carry the main line, but almost every chapter hands the camera to someone else for a stretch: the farm boy, a day-trader in debt, the investment man, the pizza driver, the bar owner. The narrator is chatty and present, and takes on the attitude of whoever it is following, so a scene with a scared animal is crude and frantic and a scene with a banker is smug.

The second engine is escalation. Animals go first, then the people closest to breaking point, and each case arrives at a moment of anger, grief or fear, which tells you early what the condition responds to. Running alongside is a money plot about the plant and its workers’ pension, which is where the book’s real villain lives. The two lines are kept apart for a long time and meet at a town meeting in the school’s combined auditorium and canteen, which is the biggest and funniest set piece in the novel.

What the Monsters Are For

Scalzi has written monster comedy before, but here the joke is turned around. The monsters are not the threat. The people who burst come back in shapes that would empty a cinema, and they are calmer, kinder and more honest than they were. A bigot who calls his estranged son meaning to ask for money finds that what he actually feels is shame. Pets that slipped out of unhappy homes turn out to be cleverer than the humans trying to catch them. The horror is the town as it was before: debt, drink, cancer, layoffs and a private equity firm treating a profitable family business as a tax loss.

That gives Monsters of Ohio by John Scalzi a real argument under the gore. The chapter that tells the investment man’s story is a cold, precise account of how firms like his buy, strip and offload, and it is clearly written by someone who has watched it happen near him. The book loves its village without pretending it is nice. It is funny about Midwestern habits, like the nod that ends a conversation, and frank about racism, hate flyers and online rage.

What works

  • The voice. The jokes come quickly and they are character jokes, not one-liners pasted on. The missing-pet posters, each with a sad human story attached, are a small masterclass.
  • Cassie the cow. An eleven-year-old and his calf, then the thing she becomes, are the emotional centre of the first third, and genuinely moving.
  • Redemption with limits. People change, but the people they hurt are not obliged to forgive them, and the book respects that.
  • The set pieces. When it builds to a big scene, it lands it, with plenty of mess and laughter.

Where Monsters of Ohio Gives Ground

  • The ending is too neat. The money plot of Monsters of Ohio by John Scalzi resolves through one convenient discovery and a powerful man folding in a single meeting, and the epilogue hands nearly everyone a happy outcome.
  • The rich are cardboard. The investment man, his boss and his political friends are drawn as jokes about greed, with no inner life to push back against.
  • It will date. Monsters of Ohio by John Scalzi is set in autumn 2025 and full of jabs at the current administration, meme coins and federal layoffs. Readers who disagree will feel lectured, and even readers who agree may find some of it dated in five years.
  • The middle talks a lot. Several chapters are meetings where characters explain things to each other in offices.

Monsters of Ohio Ending Explained (Spoilers)

Stop here if you have not finished Monsters of Ohio by John Scalzi. The cause is a fungus found only in Richland’s soil, which builds up in bodies over years; it is not contagious and does not change anyone’s DNA. The medical examiner traces it to a 1980 chemical spill into the Stillwater River by a chemical company that the same investment group owned at the time. Because the clean-up failed, a lawyer from out of town argues the harm is still happening, which puts huge damages on the table. The firm hands the plant to a local trust backed by a hot-sauce millionaire, the embezzler is caught on a private jet, and the epilogue’s roll call is almost entirely good news.

Read These Next

  1. The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix, another funny horror novel about a community that underestimates itself.
  2. Annihilation by Jeff VanderMeer, for a darker take on living things being rewritten by their surroundings.
  3. Anima Rising by Christopher Moore, comic fantasy with the same appetite for the absurd.
  4. The Kaiju Preservation Society by John Scalzi, his earlier monster comedy, for big creatures and bigger jokes.

There are more picks in our list of small-town horror books.

About John Scalzi

Scalzi was born in California in 1969 and has spent more than two decades writing sharp science fiction for Tor. If you liked the jokes here, try his previous standalone, When the Moon Hits Your Eye by John Scalzi.

  • His first traditionally published novel, Old Man’s War, came out from Tor in 2005
  • Redshirts won the Hugo Award for Best Novel in 2013
  • The Kaiju Preservation Society won the Locus Award for Best Science Fiction Novel in 2023
  • The Old Man’s War series won the Hugo Award for Best Series in 2026

The Last Word

Monsters of Ohio by John Scalzi ends a little too kindly, and its rich men are only targets. But it is the warmest horror novel of the year, funny on almost every page, and it means what it says about towns that get bought and emptied. It leaves you rooting for the tentacles.

The monsters were never the problem in Richland. They were the first sign of hope.

Content notes tap to reveal

Heavy, comic gore: bodies of animals and people bursting across roomsA wild rabbit shot with a BB gun and chased by a dog; pets transformedStrong language on nearly every pageSexual content between a married couple, implied, not explicitRacism, including harassment of a Black neighbourAlcoholism, terminal cancer, crushing debt and a choking sceneDeath of a parent in backstory

Where to read Monsters of Ohio

Amazon lists the current Kindle, print and audiobook editions, and shows whether the ebook is in Kindle Unlimited right now.

To borrow it free, try your library: Libby and OverDrive lend ebooks and audiobooks with a library card, and WorldCat finds print copies near you.

We don’t link to “free PDF” sites. Those copies are pirated and pay the author nothing.



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