Doc on Jazz and Colonial History
Louis Armstrong arrived in the Congolese capital, Leopoldville (now known as Kinshasa), on October 28, 1960, armed with his trumpet and wiping sweat from his brow. His visit was part of a U.S. State Department-sponsored tour of Africa, an arrangement Armstrong felt ambivalent about. Still, the Congolese people gave Satchmo, as the American jazz trumpeter was known, a near royal welcome. Drummers and dancers carried him to his performance venue on a red chair, fashioned like a throne. Civilians cheered him on. Ten thousand people showed up to watch him play. This was a momentous occasion, a storied event for the newly independent republic of the Congo. Four months before Armstrong came to play jazz, the country had freed itself from the colonial grip of Belgium to become one of the more than dozen postcolonial African nations formed in 1960. But the region was still plagued with problems, most of them stemming from the hawkish American and Belgian interest in their natural resources. Unbeknownst to Armstrong, his visit was a CIA cover. As the musician …
