‘The Look of Shame’ | Beatrice Loayza
The French filmmaker Catherine Breillat was in her mid-twenties when she met Roberto Rossellini. She had already published four novels and played a small role in Bernardo Bertolucci’s Last Tango in Paris (1972); now she was about to direct her first film, A Real Young Girl (1976). In a 2022 interview with the critic Murielle Joudet, she recalled having a tense conversation with the Italian filmmaker on the day before shooting began. When she boasted about her skill as a director, Rossellini challenged her. “What else can you bring to the depiction of young girls that men haven’t already captured?” he asked. “The look of shame,” she answered. “Because it’s you who gave us shame, and we are the ones who carry it.” Shame is ubiquitous in Breillat’s work; her women often seem to actively court it. Alice (Charlotte Alexandra), the teenage protagonist of A Real Young Girl, staves off boredom with self-degrading fantasies: she imagines the local dreamboat tying her up spread-eagle with chicken wire and placing the severed bits of an earthworm in …