The Third Toronto Biennial, ‘Precarious Joys’
“I want to be seen,” artist Ahmed Umar told the co-curators of the third Toronto Biennial of Art, Dominique Fontaine and Miguel A. López. “I desire to raise awareness within others about the profound validity of my emotions and existence.” Umar’s sentiment, though rooted in their singular context, reverberates throughout this show. Titled “Precarious Joys,” the exhibition (through December 1) takes visibility as its central theme. It’s a show about the joy in recognition—and the danger involved in it. Some 55 artists are on hand to explain why, when faced with issues of citizenship, Indigenous erasure, climate disaster, gentrification, and more, they choose to endure. Related Articles Umar, a queer activist who fled their native Sudan for Norway as a political refugee, is showing a new video installation, titled Talitin – The Third (2023–24), in which they pay homage to three famous Sudanese love songs written by queer poets. The dark irony here is that homosexuality is criminalized in Sudan, and the authors are explicit about the subject of their longing. Umar performs each song …