Peter Chan’s Noir Drama ‘She’s Got No Name’ Debuts in Shanghai After “Experimental” Two-Part Overhaul
A mystery has been resolved this week at the Shanghai International Film Festival (SIFF) as Peter Chan’s reworked version of She’s Got No Name helped open the event, before going on an almost-immediate limited release on 120 screens spread across this vast city. The acclaimed Hong Kong filmmaker’s decision to split the film — which made its premiere out of competition at Cannes in 2024 — into two parts had raised eyebrows, as did the news that the first installment would take the marquee billing at China’s major annual cinema gathering. In the end, it all makes sense. While the Cannes version’s 150-minute running time and twisting narrative arc had prompted questions of the film’s commercial potential, the version of She’s Got No Name that screened at SIFF comes in at a tight — and tense — 96 minutes that dig deep into the darkness of the real-life tale of an abused woman, Zhan-Zhou (played by Zhang Ziyi), charged with the murder of her husband in the Japanese-occupied Shanghai of the 1940s. It was a …