In Connecticut, A Museum of Palestinian Dreams
“We can stand shoulder to shoulder with the world’s greatest artists.” So says Faisal Saleh, founder of the Palestine Museum US. Since 2018, he has directed the space. He also owns the building—an office complex in Woodbridge, Connecticut—and so is free from worry over upsetting the various bureaucracies who might hesitate to showcase Palestinian art. A soft ban on Palestinian artists is, and has been, all too pervasive. (Saleh tells me: “The name ‘Palestine’ is radioactive right now.”) This year’s Venice Biennale, with its theme “Foreigners Everywhere,” panders to an idea of inclusivity. But when the Palestine Museum proposed the exhibition “Foreigners in their Homeland” as a collateral event, the proposal was rejected. Palestine also does not have a national pavilion, since Italy does not recognize it as a sovereign nation. Besides, according to Saleh, any art from Palestine is instantly tagged as Political with a capital-“P.” Thus, art and expressions are swept away to escape a boogeyman controversy. What gets left behind? Tough-minded work that deals with the struggle of love, anger, jealousy, fear, …