All posts tagged: middle of the night

Midwinter

Midwinter

After, with their underwear still tangled in the top sheet, or just waking in winter, the stunned trees thrusting up their arms, he was always the first to leave the bed. Rising, he’d put on coffee. Or coming back, she’d pull him toward her with her legs wrapped around his waist, and when they fought he’d say, “Hey,” trying to reach her, and she’d say, “Hey,” and turn away, and a whole day could pass in silence, the vista of the cold city through the windows, voices and the smell of coffee rising from the flat below, their toothbrushes neck to neck inside their cup, resting against each other like someone whispering in someone’s ear. “Still friends?” he’d ask, in the middle of the night, when he would wake, and she’d move closer, and he’d move closer, and she would wake, the light in the room from the crescent of the moon moving somewhere in the sky high above them, carrying its dark half in its arms. Source link

The Sadness of Seamus Heaney’s To-Do List

The Sadness of Seamus Heaney’s To-Do List

What is the opposite of poetry? What slows the spark and puts sludge in the veins? What deadens the language? What rears up before you with livid and stupefying power—in the middle of the night, in the middle of the day—to make you feel like you’ll never write a good line again? Stuff. Not physical stuff, but mental stuff. You know: things you should have taken care of. The unanswered email. The unpaid bill. The unvisited dentist. The undischarged obligation. The unfinished job. The terrible ballast of adulthood. “In the last two days I have written thirty-two letters … The trouble is, I have about thirty-two more to write: I could ignore them but if I do the sense of worthlessness and hauntedness grows in me, inertia grows and, fuck it, I’m going to get rid of them before I board the plane on Thursday.” This is Seamus Heaney in 1985, writing to his friend Barrie Cooke. Heaney, at this point in his career, in his life, is a poet of established greatness, a professor …

The New Musk Biography Is a Distraction

The New Musk Biography Is a Distraction

This past December, Elon Musk’s extended family gathered for Christmas. As was their tradition, they pondered a question of the year, which seemed strategically designed for Elon to answer: “What regrets do you have?” By that point in 2022, Musk had personally intervened in Russia’s war by controlling Ukraine’s internet access; had failed to tell his on-and-off girlfriend and co-parent Grimes that he had also fathered twins with one of his employees, and had been forced by a judge to follow through on a $44 billion purchase of Twitter; then fired most of its staff and alienated most of its advertisers. His main regret, he told his family, according to an account in Walter Isaacson’s new biography, Elon Musk, “is how often I stab myself in the thigh with a fork, how often I shoot my own feet and stab myself in the eye.” In Isaacson’s study of the world’s richest man, the reader is consistently reminded that Musk is powerless over his own impulses. Musk cannot control his desperate need to stir up drama …