All posts tagged: first look

Francis Ford Coppola’s ‘Megalopolis’: An Exclusive First Look at the Director’s Retro-Futurist Epic

Francis Ford Coppola’s ‘Megalopolis’: An Exclusive First Look at the Director’s Retro-Futurist Epic

“I considered many possibilities, becoming interested in an incident known as ‘The Catiline Conspiracy,’” Coppola says, explaining that “modern America was the historical counterpart of ancient Rome and that the Catiline Conspiracy, as told by historian Sallust, could be set in modern America, just as Joseph Conrad’s Heart of Darkness [originally set in the late 1800s amid European colonial rule in Africa] was set in the Vietnam War in Apocalypse Now.” His next step was to remake some of those figures from history into fictional versions of modern civic leaders. “I began with the essence of a plot: Perhaps an evil patrician (Catiline) plotted to overthrow the republic, but was thwarted by Cicero, the consul. I renamed Catiline to Cesar as suggested by Mary Beard, because in Suetonius’s version young Julius Caesar was very much in cahoots with Catiline, and Cesar would be more familiar to audiences than Sergius (which was historical Catiline’s name).” Coppola also decided to take a revisionist view of this age-old accepted history. “I wondered whether the traditional portrayal of Catiline as ‘evil’ and Cicero as …

‘Outer Range’ Season 2: Josh Brolin Reveals All About His Time-Travel Drama’s Return

‘Outer Range’ Season 2: Josh Brolin Reveals All About His Time-Travel Drama’s Return

Murray calls it a kind of Close Encounters problem, a desire for truth that turns into a punishing reality. Whether the truth brings Cecilia and Royal closer together or pushes them apart is one of many subtler dramas driving the season. While answers come more clearly and frequently this time around, there’s still plenty of new wrinkles being introduced, many elements still dangling—ready to be plucked for a potential season three, as Murray hopes. “We bonded from the jump, we didn’t dance around each other—we went straight to the work,” Murray says of his relationship with Brolin. “Josh just said to me, ‘So I’ve got ideas about season three,’ and that means that I get to talk to him and hang out with him more.” As the cast told me before the series premiere, Outer Range’s first-season shoot could be brutal. Freezing, long days. Tough conditions. “We were with people with a little lack of experience, so the idea of me running in the snow naked was super attractive to them—but for me, after 40 …

‘Wicked’ First Look: Ariana Grande and Cynthia Erivo in Costume

‘Wicked’ First Look: Ariana Grande and Cynthia Erivo in Costume

We’re certainly not in Kansas anymore. The first official teaser for Wicked, starring Grammy-, Tony-, and Emmy-winning actor Cynthia Erivo and Grammy-winning pop star Ariana Grande, has been unveiled, revealing director Jon M. Chu’s Oz for the very first time. Now, VF has an exclusive portrait of Erivo and Grande in character as Elphaba and Glinda, the witches whose friendship-turned-rivalry fuels the story, as well as the first interviews with the cast and filmmakers. Grande and Erivo tell VF they’ve become inseparable friends while making the movie—matching Wicked tattoos and all—and sound thrilled to be together again so soon after the shoot wrapped in January. “I actually told my mom I was really relieved we don’t have to miss each other that long,” says Grande. As for Glinda and Elphaba’s relationship, Grande says it’s defined by “a really selfless love and friendship. They’re both each other’s first real friend, a person who accepts them for everything that they are.” Erivo seconds that: “Once they figure out that they’re actually different sides of the same coin, …

Elisabeth Moss Turns Super Spy in ‘The Veil’—Part Espionage Thriller, Part ‘Thelma & Louise’

Elisabeth Moss Turns Super Spy in ‘The Veil’—Part Espionage Thriller, Part ‘Thelma & Louise’

The Veil almost didn’t come Moss’s way. Knight started writing after power producer Denise Di Novi (Edward Scissorhands, Little Women) floated a kernel of a premise to him: exploring the friction between intelligence agencies of different nations. Some exhaustive research later, and Knight had a vibrant, witty spy thriller centered on two mysterious women. “I gave Steve maybe a four-line idea, and then he came back to me with all of these relationships—it was wild to me,” Di Novi says. She wanted Moss from the get-go, but everyone involved told her, “Do not waste time, we want to get this going right away, she gets offered everything.” Undeterred, Di Novi reached the actor eventually—and Moss, looking for a project to take on during her Handmaid’s Tale hiatus, said yes swiftly after reading the script. Moss shakes her head over Zoom as she listens to Di Novi recount the difficulty to simply make an offer. “The idea that it may not have come my way because somebody said that I may not want to do it …

Inside Ewan McGregor’s Enchanting Take on ‘A Gentleman in Moscow’

Inside Ewan McGregor’s Enchanting Take on ‘A Gentleman in Moscow’

During rehearsal, Miller also brought in a movement coach, a key figure in McGregor’s delicate but rigorous physical performance. “We did these extreme exercises of being very, very old and then very young, and thinking about our characters in different stages of their life,” he says. “I spent a lot of time, in his countly days at the beginning, being very upright in his amazing clothes and the way he moves. As I get older, all of that drops away and it becomes more loose—and so in a way, he de-ages physically.” Being able to shoot roughly chronologically allowed McGregor to sink deeper and deeper into the part. He didn’t initially realize the root of his profound investment in both the role and the story’s unique portrait of fatherhood. “In a loose way, he adopts somebody—and I am close to that,” he says. “I have an adopted daughter, and I almost didn’t notice the similarities until we were shooting it…. I felt very, very connected to the count.” Another development deeper into filming: the romantic …

Steve Martin Reveals His Secrets in the Documentary ‘Steve!’

Steve Martin Reveals His Secrets in the Documentary ‘Steve!’

Martin narrates the first Steve! film over the clips of everything from his stand-up to his time on The Smothers Brothers Comedy Hour to his Saturday Night Live hosting specials. His reflections are honest, emotional, and rooted in a strangely if firmly held belief that Martin reveals early on: “I guarantee you I had no talent.” In the three years since Neville started working with Martin on the project, the thing that surprised the director most about the comedian was his humbleness. “He’s the least chest-thumping celebrity I know,” Neville says. “Taking somebody off a pedestal and saying, ‘They’re just a person who’s trying to figure this out’—that stuff resonates to me as a storyteller because I feel like we’re all just trying to figure it out.” It’s not just Martin’s warmth and approachability that delivers such a candid portrait. Neville knows what he’s doing here too. “For people who’ve been interviewed a lot, either there’s a rote way of answering questions about things they’ve been asked about many times, or it can sometimes feel, …

Inside the Fascinating World of New York City Psychics

Inside the Fascinating World of New York City Psychics

Lana Wilson sees a lot of similarities between making a documentary about Taylor Swift and a documentary about psychics. “We all want to be understood—it’s very easy to watch people and to look at them and to judge them, but to really witness someone is unique,” the Miss Americana filmmaker says. “It’s what I get to do as a filmmaker a lot of the time.” Watching her poignant new film Look Into My Eyes, premiering next week at the Sundance Film Festival, it’s easy to see the connection play out. Wilson makes movies with uncommon intimacy, paving cinematic paths of self-actualization. How natural, then, that she’d look to the world of psychics for her next topic. Look Into My Eyes, which has been in the works for more than seven years, also signals an exciting step forward for Wilson, as she expands her gaze toward an entire community. Crafted as a unique portrait of contemporary New York, the doc bounces from apartment to apartment, park bench to park bench, and holds the camera on groups …

Sundance: André Holland Leads an Acting Masterclass in ‘Exhibiting Forgiveness’

Sundance: André Holland Leads an Acting Masterclass in ‘Exhibiting Forgiveness’

Titus Kaphar is used to a person taking in his art for, on average, about 27 seconds. The decorated contemporary painter has his work displayed in museums around the world, typically hung on gleaming white walls for passersby to stop, take a look, form an opinion, and move on. “Maybe they’re disinterested, maybe there’s something that was distracting them, whatever—the reality is, they don’t know where the work comes from,” Kaphar says. “They don’t know what the work is rooted in.” He’s been thinking about this especially as he prepares to unveil his first feature film, Exhibiting Forgiveness (bowing at Sundance on Sunday), a memoiristic drama which provides that very context. “Being able to engage with the viewer over a two-hour period is not something that, as a painter, I get,” he says. “Film allows us to talk about before and after.” One senses over the course of Exhibiting Forgiveness, an emotionally exhilarating debut layered with striking visuals, that Kaphar is a quick study. He had no conception of how to make a narrative feature, …

How Kieran Culkin and Jesse Eisenberg Bickered and Grieved Their Way Through ‘A Real Pain’

How Kieran Culkin and Jesse Eisenberg Bickered and Grieved Their Way Through ‘A Real Pain’

As he got to filming his new movie A Real Pain, Jesse Eisenberg realized that he and his co-star, Kieran Culkin, didn’t exactly work the same way. Eisenberg was embarking on his second feature as a director, and the first in which he would also act; Culkin was playing his first role since wrapping a four-season run on HBO’s Succession, fresh off that creative high. Eisenberg had spent months working on a shot list for their expansive Poland shoot with cinematographer Michal Dymek (EO). He’d exactingly planned out each scene’s marks and blocking. A lot of that ended up scrapped. “Kieran is an unusual actor—he works really, really well as a spontaneous performer,” Eisenberg says. “On Succession we’d do the whole scene maybe seven or eight times, and then that was it. This was set-up 12 and take 40-something. I’m like, ‘What is this?’” Culkin adds with a laugh. “I felt like I was just making a fuss of nothing. He put me in the left seat and I’m like, ‘Why’d you choose that for …