When the artist Lynn Setterington moved to London in the early 1980s for university, she started to make embroideries of her new surroundings. “My favourite is Electric Avenue in Brixton – I love markets, and the one there was so different from market day back in my Yorkshire village.” She began posting her textiles on Instagram during lockdown and is writing a book about shared embroidery practice. “Embroidery is having its moment,” she says. “Its reach, power and value are being appreciated by the wider public. I have worked with people from all parts of the world on stitch projects – embroidery has proved an amazing connector.”